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Frank Lloyd Wright’s buildings in the United States contain several core features that have made them unique and collectors’ items in the world of architecture. The most common hallmarks of Wright’s designs are: emphasis on the horizontal plane; no basements or attics; no paint; low-pitched rooflines with deep overhangs; uninterrupted walls of windows; liberal use of skylights; large, stone fireplaces in the building’s heart; and emphasis on the use of natural materials, such as woods and stone.
As Wright’s career and designs progressed, he increasingly integrated nature into his buildings. Sloping roofs matched the slope of the hillsides; large doors and windows lessened the distinction between the indoors and outdoors; and flowing brooks ran under, around, and sometimes through a building. Wright likely became the first person to use organic to express a new way of developing and designing an object or even a lifestyle. “Organic buildings are the strength and lightness of the spiders’ spinning,” he remarked, “buildings qualified by light, bred by native character to everyone and married to the ground.” Wright probably never used sustainable in connection with his architecture, yet Wright’s designs provide excellent guides for present-day sustainable or green houses. Wright followed his own path to sustainability decades before it became fashionable and even necessary. By favoring natural materials, natural cooling and ventilation, and using landscape to create part of a building’s structure and support, Wright certainly contributed to today’s environmental engineering.
By the end of Frank Lloyd Wright’s life, he had developed 1,141 home or building designs and completed 532 of them. His designs and the philosophy behind them influenced architecture in North America, Europe, and Asia. Ten Wright-designed buildings were nominated in 2008 by the Frank Lloyd Wright Building Conservancy to be included on the World Heritage List of the most significant cultural or natural treasures. The United Nations Educational, Scientific and Cultural
- Unity Temple, Oak Park, Illinois (completed 1904)
- Frederick C. Robie House, Chicago, Illinois (1906)
- Hollyhock House, Los Angeles, California (1921)
- Taliesin, Spring Green, Wisconsin (1925)
- Fallingwater, Mill Run, Pennsylvania (1939)
- S. C. Johnson and Son, Inc., Administration Building and Research Tower, Racine, Wisconsin (1936, 1944)
- Taliesin West, Scottsdale, Arizona (1937)
- The Price Tower, Bartlesville, Oklahoma (1952)
- Solomon R. Guggenheim Museum, New York City, New York (1956)
- Marin County Civic Center, San Rafael, California (1957)

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